Captain Stephanie Rogers (
therighttime) wrote2012-09-27 09:56 pm
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Entry tags:
AU Milliways
The door opens from one pub to the next. A rosy-tinted, warm little English pub filled to the brim with uniformed soldiers and local girls, crowing and laughing and being alive, really feeling it for the first time in longer than any of them would like to admit.
The woman who is leaving that particular pub is tall - very tall, inches over six feet - shapely in her 1940s olive dress uniform. Her make-up is fresh, her tie in perfect order, her hair is even curled in classic victory rolls (it took three showgirls three hours to make it happen, but they're all used to it by now).
Stephanie Rogers is grinning, flush-faced and filled with joy as she waves to a dark-haired soldier at the bar and steps purposefully into -- another bar.
She recognizes a shift, a difference immediately, and keeps one hand on the knob even as she frowns thoughtfully at the room around her.
The woman who is leaving that particular pub is tall - very tall, inches over six feet - shapely in her 1940s olive dress uniform. Her make-up is fresh, her tie in perfect order, her hair is even curled in classic victory rolls (it took three showgirls three hours to make it happen, but they're all used to it by now).
Stephanie Rogers is grinning, flush-faced and filled with joy as she waves to a dark-haired soldier at the bar and steps purposefully into -- another bar.
She recognizes a shift, a difference immediately, and keeps one hand on the knob even as she frowns thoughtfully at the room around her.
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There's a similar man sitting at the bar she just left.
Hesitant - is that a giant... rat? with a tray of drinks? - Steph approaches, her heels clicking on the polished wooden floor. "Buck?"
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"Are you asking, or offering?"
'b' sounds like 'f' sometimes.
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He swivels the stool to face her, leaning back on the bar, eyes shadowed.
"Lovely lady like you in a place like this, and so on?"
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He doesn't drink on shift, but then he didn't used to end up on the opposite side of space and time on shift either. But it's been nearly a twelve hour day, there's a jagged cut running out his hair line about half an inch he keeps bothering (he doesn't mind them, but it's itching, now and then, and that bothers), and he's sick of his third of
Danny'sthe paperwork.Which means he could be off shift. Everyone in his team, long gone, except for Danny, yet including him, probably thinks he should be.
So a beer it is and a break and the graciousness of the Bar (she'd only be more gracious if she'd agree to put it on Danny's tab until he noticed), while Steve watches the room from a corner of the bar, his back turned to the wall, so nearly nothing can pass behind him. He's a little surprised and impressed by the uniform that walks in, and he's not specifically looking to catch her eye, but when she looks that way he tips his beer.
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Because the person in it is part of the real, true 1940s US Army.
Catching that motion, Steph turns to take in the man. There's nothing of particular interest to his dress or his manner. The atmosphere in this place is awfully casual and he's not rude or leering at her. She could nod and move right on to the next person, now that she has the background and rules of this place in her mind, but one thing does stop her.
There's a shiny gold badge on the man's hip, brightly apparent at the angle he's sitting. Steph's spent enough time dodging cops as a child to recognize a police badge when she sees one.
Better the evil you know, and all that. Especially when it isn't actually evil.
Stephanie Rogers smiles, nods back, and makes her way to him to say hello.
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"Steve McGarrett." There's a gesture for a seat if she wants one, but it's not pushy or insistant. Just if she wants it, which is gestured with a slight tip of the beer. "Definitely haven't seen that uniform in these parts so far."
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She settles in her chair carefully, smoothing the wrinkles out of her skirt and tucking her ankles behind the chair leg without looking away from him. "I imagine you're referring to this particular uniform with a skirt and heels, and not just a lack of Army in these parts?"
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"Both, works." Steve was pretty easy about admitting. "I haven't run into many other service members in pressed dress here."
Which he didn't write off entirely as something that didn't happen, since he came here sporadically, especially after he made the point to never come in during active cases. But that didn't mean they weren't here. He actually would have liked the idea of a greater showing of those men and women here.
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Maggie doesn't turn her head at first - there's no need to, she just stops and brings her coffee away from her face so she can really appreciate the lady who just walked in. And no word other than 'lady' can describe a woman with those kind of cosmetics.
Well, maybe one other word.
Damn.
When the new arrival hesitates at the door, Maggie adjusts her sunglasses and turns around. She's dressed for a day in the office: power suit, low heels, and a clean dressing on the cut on her left cheek, that resists only a little when she smiles.
"Hi, are you new?"
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Steph grins at the woman, ducking her head in some shyness. "That easy to tell, huh? Yes, ma'am, I am. Just sort of stumbled in a moment ago."
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"So welcome to Milliways, then."
Her smile stays in place, warm and welcoming.
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All the same, the smile she gives Maggie is admiring. "That's quite a deduction, ma'am. I'd guess not much gets past you."
The dressing on her cheek is a little worrying but the woman doesn't seem concerned by it, and Steph knows better than to point out anyone's injuries.
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Which would be ridiculous.
She waves away the compliment. "One in five people around here would probably deduce the same thing. It's not a big deal."
It is obvious, however, that she's at least pleased, if not flattered. The woman's heartbeat just before she spoke suggested that she was indeed, impressed by the deduction.
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Buildings.
Billboards.
747s.
Boeings.
Ferries.
Statues.
A tree in Central Park —
(He knows somewhere in his old book, lost somewhere along the way, there's a picture of that same tree as a sapling. Only then there was a girl leaning against it. He put a lot more thought into the girl. Now, he's kicking himself for not putting more thought into the tree. What was it like? How could it be the same?)
He checks his watch.
Thirteen hours, fifty-nine minutes.
There's a crick in his neck. How long has he been at this? He tosses his pencil down on a sketch of a waitrat carrying a sensationalized platter of food (worm spaghetti, fried galaxies, fizzing drinks in glasses shaped like test tubes), and stretches his shoulders. The chair creaks against the effort.
That's when he sees her.
She's pretty, yeah, but that isn't it. It's the clothes. The crisp, pressed uniform, the victory rolls (the hemline where he remembers it — it's a skirt, not a cocktail napkin), and he thinks —
Peggy
— home. She looks like home.
Huh. The one thing he didn't expect to feel, in this world or any other, was the low-humming thrill of Coney Island, the high of Yankee stadium, or the soothing eighth notes of jazz on a familiar old record player.
The unfortunate thing is, it looks like he's staring at her ass.
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Yes, okay, a little annoying, like Peggy always used to insist. But Stephanie's learned to pick her battles and sad, lonely boys far from home aren't the most important target in front of her these days.
So for this man and his look and his sketchbook, she can smile and nod and be the best soldier she can be.
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He drops his gaze, grinning shyly. After a minute or two, he chances a small, awkward wave.
And then he picks up his pencil.
He's not the best at striking up conversation with women, especially when that woman didn't come with him and is standing a good fifteen feet away. Bucky knew all the lines, how to smile just right — Steve just knew how to be nice. Which is why he motions to his pad, and arches his eyebrows, waving his pencil in the air to ask her permission.
You mind if I draw you, ma'am?
Yeah, he's not good at talking to women, but he's great at miming niceties.
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It's one of the better lines she's heard over the years. And she doesn't even need Elena or showgirls to tell her how to respond.
Smiling, Stephanie approaches the man and nods hopefully to the seat across from him. "May I join you?"
The look she casts over his paper, his pencils is admiring, a little covetous. It's been a long time since she had the time to draw, much less the materials.
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"That would be nice, ma'am."
He nods, but he gets a little caught up and it ends up looking like a bow, stilted and jerky. At least she's looking at his work. Maybe she didn't notice.
Um.
"Steve Rogers."
He presents his hand, fingertips stained black.
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There's a bag of marbles sitting on the bar surface under her hand, already possessive of them, but there's also a mysteriously written-on napkin that Sinthia seems to be eyeing.
She seems rather young, and alone, to be in a bar by herself.
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Steph didn't grow up in an easy era and there's a look on that girl, a familiar hunch of her shoulders, that softens the soldier to her almost immediately.
She approaches at an easy walk, her smile friendly without pushing familiarity. There's a hand resting gently on the back of the stool beside the girl and Steph tilts her head, trying to gather attention. "Mind if I take a seat?"
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Not verbally, anyway. "Nein, gehen Sie vor," she says clearly, slowly and unused to seeing so tall a woman, and so fair--blondes with blue eyes are less common than some people would like. "You may sit, madam."
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Instead she smiles, friendly, and replies with a gentle, "Danke. You can call me Steph, if you want."
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"Is it short for Stephanie?"
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